Now what needs to happen if we want to make this chord dominant? In our example we have got a Cmaj9 chord with the 3rd (E) in the bass. There are three types of chord inversions : with the 3rd in the bass ( first inversion), with the 5th in the bass ( second inversion) or with the 7 in the bass ( third inversion).
Instead of playing the root of the chord, we now play the 5th on the high E-string.Ī chord like this is called a chord inversion : a chord that has a note other then the root in the bass. This would be a nice chord if you’re playing bossa nova, solo guitar or in duo setting, but if you play with a bass player and you don’t want to get in his way, it’s better to omit the root and to play on the higher strings only : We exchanged the 5th on the D-string for the 3rd and we changed the 3rd on the B-string to a 9. Tangga nada mayor terdiri dari tujuh nada (sebelum tangga nada tersebut dimulai lagi dengan oktaf yang lebih tinggi) dan terdiri dari jarak nada 1/2 atau half (dua not yang bersebelahan) dan 1 atau whole. Tangga nada modal terdiri dari Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, dan Locrian. Tangga nada mayor dan minor adalah tangga nada yang paling sering digunakan dalam berbagai macam musik. Skala atau tangga nada modal adalah aturan penamaan sebuah nada berdasarkan urutan dimana nada tersebut dimulai. Aturan baku tersebut berupa interval atau jarak antara satu not dengan not yang lain, aturan tentang. Tangga nada diatonis umumnya digunakan pada komposisi musik kontemporer. Instead of duplicating the root on the G-string, we exchanged it for the 7 of the chord. Dalam pengertian yang sederhana, tangga nada dalam musik bisa diartikan sebagai satu set atau satu kumpulan not musik yang diatur sedemikian rupa dengan aturan yang baku sehingga memberikan nuansa atau karakter tertentu. This chord doesn’t sound very jazzy though, so let’s spice it up a bit : You see that it is ok to duplicate chord tones, like the 1 and the 5 in our example, but it may sound a bit sluggish. 5 : the 5th is played again, but this time on the high E-string